Friday, October 25, 2013
If You Could Only Pick One: Pretty Deadly #1

Wonderful Wednesday has come and gone once again, marking one more new comic day in the books. This week saw some interesting releases. IDW revived Cartoon Network's long forgotten Samurai Jack in comic book form. The art is on, but the feeling is somewhat different. Marvel marches ever onward toward the conclusion of its Battle of the Atom X-event with one of my favorite issues to this point. However, it is Image's Pretty Deadly, making its debut this week, that is something fans of comics, westerns, and interesting storytelling should take notice of.

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Thursday, October 24, 2013
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Just in case you didn't catch it, Monday saw yet another school shooting in the United States. A 12 year old boy --yes, 12 years old-- walked into his school, wounded two students, and killed a teacher with a gun. All of this before turning his weapon on himself, ending his life. It was yet another proud moment in America's gun-sick history.

I would certainly like to express my outrage, my shock, my unrivaled dismay; yet I find myself somehow unable to. I remember Aurora and Sandy Hook. I remember Tulsa, Wilmington,Minneapolis, and the 11 other mass shootings that took place in the United States in 2012.  Each of them disgusts, enrages, and does its part to render the country even more hopeless and disenchanted.

Yet, to me, the shooting outside of Reno seems different. If social media commentary, non-sarcastically a great thermometer for what people actually care about, can be believed, then very few people took notice, or cared, about yet another shooting in the United States. I'm left wondering what that says for the land of my birth.

Most worrying, I feel that this could be an indication of our increasingly desensitized society.  Don't get me wrong; I'm not one of those who point the finger at video games, movies, and other aggressive media as the bastions of American societal evil. Instead, I point my finger at the war-mongering, hate speech, and continued violence in the real world that has become so common place that it barely seems to register on our radar.

The fact is people continue to die. 28 people died at Sandy Hook, 12 at Aurora, and only 1 at this most recent event in Nevada. Is it the size that makes it less important to talk about? Is the death of one innocent man less tragic than the death of innocent children? I'd like to argue that, no, pointless death is exactly that no matter who the victim or in what amount blood is spilled.

So, why, then, is this not being talked about more often? Where is the outrage from all Americans across Facebook, Twitter, and other forums that are so readily filled with this type of thing? Where are the left-wingers or, at least, the anti-violence activists calling for sensible gun reform? Where are the Second Amendment die-hards rebutting the left-wing conspiracy to destroy American sensibilities?

I think I'd prefer the sometimes violent, disgusting language of social media debates than the silence that so typically illustrates apathy. After all, if this isn't enough to get our blood going and conversation started, what is?


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Friday, October 18, 2013
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You know, I make a pretty good effort to talk about various issues of equality. I haven't had the opportunity yet on GFP, but if you were one of my groupies over on They Call Me An Egg, there is a good possibility you saw some posts arguing for the rights for classically oppressed people; namely for women and homosexuals.

So, perhaps, you'd image that I would argue just as vehemently for "men's rights". After all, I'm a man. Why shouldn't I argue for the rights of my people? Why shouldn't I react with thinly veiled bitterness and hatred as the world changes beneath my feet?

Well, perhaps I've jumped too far ahead of myself. Men's rights activists are exactly what they sound like. They're men arguing for the rights of men. Here's the problem though: generally speaking, rights for men come at the expense of the rights of others. Here's one of my favorite examples from one of the lovely dirtbags activists on the Reddits :

"Sure, living with injustice is so much better than fixing it."- a Redditor discussing the need to make sure both men and women are made to pay alimony when the situation necessitates it.

What's that you say? That doesn't seem like such a crazy concept? Why, no, it doesn't. Essentially what's being argued here is that both men and women need to be held to the same standards under the same situations. That is equality, right?

The problem with the men's rights movement is that it isn't about equality. Just as radical feminism, radical secularism, and radical religion aim only to suppress and oppress others for their own benefits, so, too, does the men's rights movement, seemingly made up only of radicals, aim to retake their place as the rulers of the world. Here is a quote that is far more representative of the thinking of the MRM:

"'Women are marginalized.' Does anyone seriously believe this when it's so obviously untrue?"

And that's the issue. Men's rights activists are not arguing for equality. They're arguing against common sense in a desperate grasp to remain the majority, the iron fist that continues to oppress everyone else. I absolutely hate when members of any marginalized group point their finger at me, saying how "you do this" and "men do that". Admittedly, a lot of the times they are not wrong. Many times, however, they are overgeneralizing and arguing for reforms that, if carried to their conclusions, would just wind up with reverse discrimination.

Like so many other groups fighting for "equality", men's rights activists simply want a shift in their favor that ensures they can be the ones pulling the strings. However, unlike so many others, I'm not sure these guys really have a leg to stand on...unless you count the one built out of hatred and fear of an equal society.


So, what are your thoughts on the Men's Rights Movement?
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Wednesday, October 16, 2013
If You Could Only Pick One: Rocket Girl #1

I made a real effort this week to pick up some comics other than the usual Superior Spider-man, X-men, etc. This was, in part, because I'm so sick of watching Marvel betray the foundations of their characters week after week. Also, I've been having to take a hard look at how I'm spending my money on media these days; I want to read great content, but I specifically want content that features other types of characters. More importantly, I want content that is created by people like me who can't do much to stand up against juggernauts like Marvel and DC.

Having said that, I picked up The Shaolin Cowboy from Dark Horse, Rocket Girl from Image, and Coffin Hill from Vertigo, DC's adult imprint. I enjoyed all three far more than I thought I would, but Rocket Girl specifically stood out as a great book that promises to be fun going forward.

How do you suppose she got her name?
Source :http://bit.ly/1ebv3yW
The premise of the book is simple, but that's not a dig. Our young heroine Dayoung Johansson suspects that a company in her Earth's timeline of 2013 has been going back in time to rig things in their favor. Johansson, a time-cop from future New York City, makes her way back to 1986 where she begins her investigation to thwart the villainous Quintum Mechanics.

What I loved most about Rocket Girl #1, and why I recommend it for those looking for just one book to read this week, is the humor, the art, and the lack of dude's in spandex. Our protagonist is a 15 year old who is drawn appropriately and exhibits the certain, well, quirks of a teenage girl. She's sarcastic, witty, intelligent, and driven. How many other female characters are there like this in comics?

Appropriately, the humor is adult with middle-fingers flying around. The writing has a certain sardonically sarcastic tone to it that is equal parts refreshing and riveting. Clearly, Rocket Girl also takes inspiration from Japanese comics. Most notably, there are people falling over when they are flabbergasted.

There are other things to consider when buying your comics, of course. Namely, how much money you've lost if a book or two aren't for you. Well, Rocket Girl is less expensive than most AAA titles out there right now, with a price tag of $3.50. For my money, the risk was worth every penny.

Rocket Girl, the first issue of which was released on Oct. 9, has been added to my pull list. I'm looking forward to reading issue #2 when it drops on November 13. Give it a try, either digitally or traditionally, and let me know what you think!

What are you reading right now?

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Monday, October 14, 2013
Women in Comic Books: Why Not?

I remember being 5 years old and sitting, doe-eyed, at my grandparents house every Saturday morning. I wasn't there for breakfast. I'm sure in my parents mind I was there to visit and have family time. I knew, even at five years old, that I was there for the X-men.

Marvel's bunch of mutants from the Xavier school had recently enthralled me. I loved the smooth talking Cajun Gambit. The punchy, take-no-prisoners attitude of Wolverine appealed to me even then. I loved the near naked, strangely sexualized Jean Grey and Rogue.

And I think that's where the problem starts for most young comic book fans.
Seriously, how do those proportions even work?
Source: http://bit.ly/1en5ESX
When I was a kid, what I wanted out of my comic books could be boiled down to two things; boobs and battles. I wanted to see my male favorites kicking the teeth out of bad guys like Venom, Carnage, Magneto, and Juggernaut. I wanted my female favorites to stand there looking pretty in outfits that I could have no conception of just how impractical they were to female warriors. Admittedly, I was a kid, and, as all kids do, I eventually grew up. For me, the days of boobs and battles, whether we're talking in comics, classical literature, films, music, or otherwise, are long over.

I took a 12 year break from comic books. I just didn't have the money when I was fourteen, and my dad had grown out of the hobby; no more freebies. In August 2013, I made my way back to the books that had defined my conceptions of heroes as a child. Spider-man, the X-men, Batman, and more began filling up boxes that had only been collecting dust for a decade.

Yet, as I spent and read, I found that things haven't changed all that much. Female characters, for the most part, are still relegated to the role of love interests, catalysts through death, and eye-candy. Progressive, popular females like Batwoman and Captain Marvel have their books rebooted and their creative teams gouged. In the case of Batwoman, her being a strong, lesbian female who wanted to get married was too much for the comic world, inciting her AAA writer to leave the book when DC refused to let her commit to the woman she loved.

I admit, there was a time when I let myself shrug these problems off with a "that's just comics" attitude. Then I started doing some research.

It only makes sense in any business to play to what your customers want. With comic books, it seems only natural to assume, then, that big businesses DC and Marvel should be writing stories about buxom bimbos without brains; right? As it turns out, the majority of comic book readers are not teenage boys. In fact, most comic book readers are mid-twenties to their mid-to-late 40's. Yes, we are still mostly male, but recent statistics show that women represent as much as 25% of comic book readership.

With that being the case, why is it so damn hard to get an interesting female character? Why is it so tricky to write a woman that can be pretty or not, can be smart or not, yet compelling enough to get people to pick up her book week after week? Ostensibly, it's all about the cycle.

As I was told recently at my local comic shop, women simply don't make for interesting storytelling. As if looking into a darkened reflection, someone my age, someone who grew up reading comics for the same reason I did was telling me that women do not make interesting, compelling characters, and that, my friends, points to the issue.

The big two, Marvel and DC, continue to push out AAA titles that feature lame-brained, eye-candy that gives rise to this backward idea. A lot of men grow up and realize that poorly written female characters are simply that; a product of poor writing. However, too many more think it is symptomatic of the gender. The big two, just like any other form of role model--make no mistake; their characters are role models--has a responsibility to craft an open worldview for young men, old men, and women to draw from. We rag on Miley Cyrus for acting like trash yet its okay for one of the most popular mediums in modern entertainment to train readers to think that's how women act, should act-as a rule?

It's especially frustrating to me in the case of Marvel. The X-men were originally conceived as social commentary against bigotry and oppression. That team, black, white, blue, male, female, were all in it together. Spider-man was written to be this every-man; anyone who ever felt the sting of poverty and the pain of lost love, male or female, could connect with the Web-slinger. Unfortunately, Marvel has since betrayed the essence of those characters, both in their writing and in the company's inability or lack of interest in encompassing real characters of both genders.
Image's Rocket Girl features a female lead that A)looks like a real person and B)is a bad ass time-cop
Source:http://bit.ly/1ebv3yW
Look, I'm not going to make the change by myself. Me dropping a chunk of my weekly contribution is not going to topple Marvel or DC. Having said that, I hope taking my money to companies like Image, Dark Horse, and IDW at least helps keep their female lead books afloat.

Are you a comics fan? What do you think about the state of female characters in the big two's books?
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Sunday, October 13, 2013
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Welcome, everyone, to my new blog. A spiritual successor to the Japan-themed blog They Call Me An Egg, the aim of this site is to present you, my readers, with my observations about anything and everything I find interesting about the world.

What that will likely mean is sort of hard to pin down at the moment, but I'll give it a go. There will likely be a lot of content that talks about Japan. My love for the country and its culture is something I'll never escape. Yet this will also become a place to feature little short stories, commentary on any news on find interesting, photos, reviews, and everything else that inspires me to write.

The title "Go Forward with Pencil" is meant to represent the infinite opportunities to write about something in my own way. After all, every experience is something that deserves to be written about, to be preserved. I'm hoping that you will find it just as interesting as I do to find meaning in even the smallest things life throws our way.

Without launching into a long, vapid description, I'll end by saying that I'm excited to move forward from They Call Me An Egg, though, admittedly, I do so with a bittersweet taste on my tongue. As with everything, however, dynamism is the key to life.

Here's to endless growth and forward movement.
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